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Access to the archives of the Pizzicato musical newsletter

All subjects are treated so as to be easily approached by beginners as well in music as in software. No need to be an expert to understand them!

  • Letter #29 - Music notation
  • Letter #30 - Music composition, rules and inspiration
  • Letter #31 - The three levels of approach to music composition
  • Letter #32 - The various parts of a sound card
  • Letter #33 - Managing sounds to compose music
  • Letter #34 - The universal method to learn to compose music (1)
  • Letter #35 - The universal method to learn to compose music (2)
  • Letter #36 - The universal method to learn to compose music (3)
  • Letter #37 - The universal method to learn to compose music (4)
  • Letter #38 - The universal method to learn to compose music (5)
  • Letter #39 - What's new in Pizzicato 3
  • Letter #40 - The universal method to learn to compose music (6)
  • Letter #41 - The universal method to learn to compose music (7)
  • Letter #42 - The universal method to learn to compose music (8)
  • Letter #43 - Practical and progressive approach of music composition (1)
  • Letter #44 - Practical and progressive approach of music composition (2)
  • Letter #45 - Practical and progressive approach of music composition (3)
  • Letter #46 - Practical and progressive approach of music composition (4)
  • Letter #47 - Practical and progressive approach of music composition (5)
  • Letter #48 - Practical and progressive approach of music composition (6)
  • Letter #49 - Practical and progressive approach of music composition (7)
  • Letter #50 - Practical and progressive approach of music composition (8)
  • Letter #51 - How can you combine several melodies (1)
  • Letter #52 - How can you combine several melodies (2)
  • Letter #53 - Practical and objective criteria to guide music composition (1)
  • Letter #54 - Practical and objective criteria to guide music composition (2)
  • Letter #55 - Practical and objective criteria to guide music composition (3)
  • Letter #56 - Practical and objective criteria to guide music composition (4)
  • Letter #57 - What's new in Pizzicato 3.2
  • Letter #58 - Practical and objective criteria to guide music composition (5)
  • Letter #59 - What is intuitive music composition?
  • Letter #60 - Intuitive music composition (1)
  • Letter #61 - Intuitive music composition (2)
  • Letter #62 - Intuitive music composition (3)
  • Letter #63 - Intuitive music composition (4)
  • Letter #64 - Creating a melody (1)
  • Letter #65 - Creating a melody (2)
  • Letter #66 - Melody and rhythm (1)
  • Letter #67 - Using VST instruments in combination with Pizzicato

 

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