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En français...
US & Canada site...
Discover
Pizzicato
at the music exhibition
MusikMesse 2010
Frankfurt, Germany
Booth D58, Hall 5.1
March 24 to 27
Click here for more
information...
 
Watch the video
demonstrations
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Pizzicato
Computer Aided Music and Music Composition Newsletters
Experienced
compositors as music colleges students or passionate chorists
will find here subjects treated so as to be easily approached by
beginners as well as professionals. No need to master the
harmonic theory in all its details or to be an expert in computer
aided music to understand them!
- Letter #29 - Music notation
- Letter #30 - Music
composition, rules and inspiration
- Letter #31 - The three
levels of approach to music composition
- Letter #32 - The various
parts of a sound card
- Letter #33 - Managing sounds
to compose music
- Letter #34 - The universal
method to learn to compose music (1)
- Letter #35 - The universal
method to learn to compose music (2)
- Letter #36 - The universal
method to learn to compose music (3)
- Letter #37 - The universal
method to learn to compose music (4)
- Letter #38 - The universal
method to learn to compose music (5)
- Letter #39 - What's new in
Pizzicato 3
- Letter #40 - The universal
method to learn to compose music (6)
- Letter #41 - The universal
method to learn to compose music (7)
- Letter #42 - The universal
method to learn to compose music (8)
- Letter #43 - Practical and
progressive approach of music composition (1)
- Letter #44 - Practical and
progressive approach of music composition (2)
- Letter #45 - Practical and
progressive approach of music composition (3)
- Letter #46 - Practical and
progressive approach of music composition (4)
- Letter #47 - Practical and
progressive approach of music composition (5)
- Letter #48 - Practical and
progressive approach of music composition (6)
- Letter #49 - Practical and
progressive approach of music composition (7)
- Letter #50 - Practical and
progressive approach of music composition (8)
- Letter #51 - How can you
combine several melodies (1)
- Letter #52 - How can you
combine several melodies (2)
- Letter #53 - Practical and
objective criteria to guide music composition (1)
- Letter #54 - Practical and
objective criteria to guide music composition (2)
- Letter #55 - Practical and
objective criteria to guide music composition (3)
- Letter #56 - Practical and
objective criteria to guide music composition (4)
- Letter #57 - What's new in
Pizzicato 3.2
- Letter #58 - Practical and
objective criteria to guide music composition (5)
- Letter #59 - What is
intuitive music composition?
- Letter #60 - Intuitive
music composition (1)
- Letter #61 - Intuitive
music composition (2)
- Letter #62 - Intuitive
music composition (3)
- Letter #63 - Intuitive
music composition (4)
- Letter #64 - Creating a
melody (1)
- Letter #65 - Creating a
melody (2)
- Letter #66 - Melody and
rhythm (1)
- Letter #67 - Using VST
instruments in combination with Pizzicato
- Letter #68 - Melody and
rhythm (2)
- Letter #69 - Vectorial
music composition
- Letter #70 - What's new in
Pizzicato 3.3
- Letter #71 - Teach yourself
music composition with Pizzicato (1)
- Letter #72 - Teach yourself
music composition with Pizzicato (2)
- Letter #73 - Teach yourself
music composition with Pizzicato (3)
- Letter #74 - Teach yourself
music composition with Pizzicato (4)
- Letter #75 - Teach yourself
music composition with Pizzicato (5)
- Letter #76 - Teach yourself
music composition with Pizzicato (6)
- Letter #77 - What's new in
Pizzicato 3.4
- Letter #78 - The Pizzicato
3.4 global view
- Letter #79 - Music
composition for the orchestra
- Letter #80 - Theory and
practice of music composition (1)
- Letter #81 - Theory and
practice of music composition (2)
- Letter #82 - Theory and
practice of music composition (3)
- Letter #83 - Theory and
practice of music composition (4)
- Letter #84 - Theory and
practice of music composition (5)
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