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Pizzicato
Music Notation And Composition Software History
In 1990, the ARPEGE MUSIC company was created by
Dominique Vandenneucker with the purpose of putting computer
science and electronics at the service of art. The idea to
create a music notation software was already in the air.
After coordinating the activities of ARPEGE, the first lines of
the program were written in 1992. A software framework was
developed to program on both Microsoft Windows and
Macintosh. The first notes appeared on the screen at the
beginning of 1993.
While developing
Pizzicato, ARPEGE was distributing information about computer
aided music. Every Friday evening, the public could visit
us, receive information and buy music software already on the
market as well as some basic music devices (synthesizers, sound
cards,...). The purpose was to communicate with the public
to know what was necessary for computer aided music and also to
analyze the public's needs. We finally conducted a survey which
helped us to better conduct the Pizzicato project.
The first
conclusion of this survey was that there was no software
available which did combine a professional tool and a didactic
approach for the beginner in music or in computer science. At
that time, ARPEGE was helping people to find a compromise within
the existing products.
The
second conclusion was that existing music notation software were
not offering a great help to compose music. We had always
believed that computers could do more than just write and print
music, that it could give us tools to help music composition,
chords proposals, melodies,... I will always remember a short
conversation I had in 1993 with a "S..." programmer
(not to mention the company :-) at Frankfurt
"Musikmesse". I asked what their software could do
about music composition and he answered that I had to come back
in 5 or 10 years, because at that moment computers could not do
that...
Our target was
thus definitely fixed: to develop a music notation software which
would be accessible to beginners in music and in computer science
and which nevertheless would help them to compose their own music
in the vast area of computer aided music composition. The target
was also to make a powerful music notation software to help the
professionals work more efficiently. Ultimately we had some
innovative ideas to review the musical interface and composition
tools. In 1992, a complete plan was elaborated for a music
notation software, later called "Pizzicato". We wanted
Pizzicato to run under Microsoft Windows, Macintosh and DOS (this
last option was later abandoned due to the generalization of
Windows 3.1 at that time, used to standardize the computer
interface).
At
the beginning of 1995, the Pizzicato main features were
ready. Nevertheless we still had a great effort to do to
fully test it and to write the user manual (6 months to write
it!). In October 1995, we decided to launch Pizzicato on
December the 15th. We made a marketing campaign and version
1 for Microsoft Windows and Macintosh was presented during 3 days
at ARPEGE. Pizzicato was met with great enthusiasm.
At that moment
the marketing work really began. A good product does not
sell all by itself. We had to make it known and motivate
resellers. We experimented direct marketing and also through
music and computer shops, resellers and export. The price of
Pizzicato 1 was around 350 $ and we only reached a public that
was quite motivated. At the end of 1996, ARPEGE launched
Pizzicato Beginner and its price was around 150 $. This
version reached a larger public and was sold in the FNAC and
EXELL shops in Belgium. The product, presented at the
Media-Planet exhibition in Brussels in 1996 got the Press 3rd
price in the multimedia software category. Pizzicato was
presented on the Belgian Television in 2 shows and is now
regularly reviewed by press articles.
While
continuing to market Pizzicato in the musical world and to the
general public, ARPEGE designed Pizzicato 2. Advanced
features suggested by users were added to make Pizzicato easier
to use. With the purpose of making music accessible to
everybody, we launched another product: Pizzicato Light.
For a very low price, you could learn music and start working
with a basic music notation software. The price would no
more prevent the public to discover computer aided music.
Thus Pizzicato 2
(Light, Beginner and Professional) for Microsoft Windows was
released in 2000. Pizzicato 2 for Macintosh appeared at the
end of 2001. With version 2, we launched a campaign to bring
people to learn and practice music. Since then and with this
purpose in mind, our website offers the complete Pizzicato music
course for free. Everybody may download the evaluation
version of Pizzicato and follow the music course on-line.
Since
the beginning, the marketing was the "big deal".
Marketing efforts were reaching the target, but were slowing down
the development. Since 2002, this problem has been progressively
solved. In fact we launched a new marketing strategy, directly
selling an "electronic version" of our Professional and
Beginner products, at a cheaper price. Since that moment, sales
generated by our website increased. Before that, our product was
mainly sold in Belgium, but after that, the market became the
world. One day, we were quite surprised to discover an article
about Pizzicato in the "Journal of Montreal"!
One year later,
ARPEGE launched a music education program for music schools,
choirs, orchestras and bands, but also for colleges and
elementary schools. The idea was to give teachers and students,
conductors and musicians a free version of Pizzicato Light, so as
to make music education and computer aided music broadly known.
At
the end of 2003, Pizzicato, its full user manual and the website
were translated in English, again with the same purpose in mind:
to make computer aided music available to everybody.
In March 2005,
Pizzicato 3 for Microsoft Windows was published. A new set of
composition tools were designed as well as the features mostly
asked by users.
In September
2005, Pizzicato 3 was finally available for Mac OS X.
Aside from the
development of Pizzicato, our know-how in computer aided music
helped us to collaborate as a consultant for the studios of the
internationally known musician and composer VANGELIS in Athens
and also to participate in the development of the Music-Touch
software for beginners in composition, with the CONTINENTAL
STRUCTURES company.
After about
sixteen years of development, ARPEGE has a software well
appreciated by all kinds of users. ARPEGE continues to develop
it. It requires time but we always have a very clear purpose:
"To make music and composition available to everyone"
and we will do our best to create an ideal software framework for
computer aided music.


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